L’enfant terrible Leos Carax returns with one of the most acclaimed films of 2012—a ravishing, shape-shifting, fever dream of becoming, unraveling and starting all over again.
Holy Motors follows a day in the life of Monsieur Oscar, a shadowy character who travels by limousine around Paris to a series of nine “appointments,” transforming at each stop into new incarnations: captain of industry, gypsy crone, ninja warrior, family man, kidnapper, thwarted lover, and a certain memorable leprechaun.
Meanwhile, the film itself is a monster movie, film noir, romantic drama, musical, crime thriller, futuristic sex fantasia—all of these and, then again, none of these.
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